Press (Theater)

2009

ACH, DU LIEBER...
"Courageous and with all their stage authority, Charlotte Fich as the upset princess, Emmanuel Limal as the provocative swineherd and Paul Hüttel as the retreated world-man emperor, fight with tirades..."
- Henrik Lyding - Jyllands Posten

"Paul Hüttel is a very disillusioned emperor, Charlotte Fich is a very tired princess, and Emmanuel Limal a very horny-naughty swineherd."
- Per Theil - Politiken

"Charlotte Fich is great as the surrendered art-princess, Paul Hüttel frugal daddy is just to be hugged, and Emmanuel Limal gives it all as the disappointed desperado-prins."
- Pernille Bøg - Urban

BattlefiEld #3
(The play was only shown to the Festival Outgames and wasn't presented to the critics. Battlefield #1 was nominated to a Reumert in 2008.)

As we wait for GODs heaven... IN Fjerritslev
"And then there is Emmanuel Limals provocative and irritating Seth. It's another style than the one we are used to: he is sharper, rougher, and devilish in its way of being and therefore builds a contrast to the three scared loafers from the local place."
- Jens Henneberg - Nordjyske Stifstidende

2008

Seest
"As her family, Esben Dalgaard Andersen as the father, Iben Dorneras the mother and Emmanuel Limal as the older brother are convincing. – Together their carry the story all the way."
- Henrik Lyding - Jyllands-Posten

2007

In one hour, I'll be STONE dead
"... If the play sounds sentimental, it's just because the critic is sentimental. Limal is anything but that. A little exotic beautifully speaking discovery. As a writer as well as an actor. It was suddenly one of these evenings, one of the few, that just takes you by surprise. Or more precisely, that beat you right into your face. One way or another. Surprisingly and happily. An artistic knockout at Kaleidoskop."
- Per Theil - Politiken

"The acting, the text, the direction and the music stand together in an interesting way. 'Nothing' happens and yet 'everything' happens. (...) 'In one hour, I'll be dead drunk' is one of these type of play, that you will love more and more as time goes. The very peculiarity of the show, as well as its both very simple and advanced form, makes you discover nuances and layers, that makes you want to see it again. For what it can, what it does and what it wants."
- Kirsten Dahl - Århus Stifstidende

"The play is not the real story experienced by the playwright. It's a very poetic, introvert play, about sexuality and lust for women, "women are the only dieting for a long life", about vanity, a father-son relationship and friends and surrounding repression of the irreversible. (...) beautifully played."
- John Bruun - Modkraft

"Limal can a lot and play strong under Bo Stendell Larsens direction..."
- John Christiansen - Jylland Posten

"Emmanuel Limal is a strong and expressive actor, whose technique is both very good and precise. (...) a talentfull strong actor."
- Susan Zekiros - Byenkalder

Grace was her
"(Christian Lollikes) actor-trio are strong mammoths. (...) Emmanuel Limals young and beautiful, sweet eyes form a contrast to Flygares. He goes round in its long underpants, while he writes humanistic words on a board. And he regrets with a gentle voice. Lovely."
- Anne Middelboe Christensen - Information

"And then there is finally the young wannabe-writer (Emmanuel Limal), Graces betraying love, who speaks about a principle of forgiveness, that is precisely meant to those who have done harm and who beautifully portrays an ideal society, where the foreigners are not 'one like us, but one of us'."
- Berlingske

"The acting – Wulffs too opened and Flygares grimly closed presence against Emmanuel Limals clear emptiness, with just a little fascinating accent – makes this play more lively than a Wednesday at the municipal court."
- Politiken

Nathan - WITHOUT Titel
"... And on the other side, seats the young and fascinating Emmanuel Limal who threats with a gun, revenge shattered in its pupils and resignation lubricated over his jaw."
- Anne Middelboe Christensen - Information

"Martin Greis is a virtuoso as both the victim with a dog-collar and the devil with a painted half-mask, playing against Emmanuel Limals appalling constancy as the executioner of all time."
- Weekend Avisen

"Full with the double desire to forgive and revenge, Nis Bank-Mikkelsens emotional Nathan is forced to make a choice by the cold murderer, played with shining credibility by Emmanuel Limal."
- Politiken

2006

THe WONDER (The Re-Mohammed-Ty show)
"...The Re-Mohammed-Ty show is a music-dramatic explosion from four fucking good, well singing actors, whose rock'n roll confrontational teater push the young public up on their chairs..."
- Randi K. Petersen

"...The young actors shine in The Wonders art-terror."
- Politiken

"... with the four actors, directed by Lollikes himself, the play becomes a strong experience where the precise words and the staging sparks the show to a welcome and important actuality."
- Århus Stiftstidende

"The actors sing, sweat, cry and rage convincingly, as they through themselves in Lollikes performative symphony of words and physical art-theater."
- URBAN

Press (Film)

2002

HOT DOG (Svensk spillefilm)

"But most of all, it's a very well played film with a natural and credible work from Johanna Sällström and Marika Lagercrantz as Josefine and Emma, and from the Danish-French Emmanuel Limal who plays Elvis."
- Alt om Stockholm

"But also (Johanna Sällströms) male co-actor, Emmanuel Limal, is good in the part of the French jazz musician living in copenhagen."
- Sydsvenskan

"Well played message about living ones life with lust... The actors are surprisingly good all the way, and it's pretty nice with new faces."
- Göteborgs-Posten

"Much is in the acting."
- Svenska Dagbladet